studio1.1, London presents
JAY CLOTH, DANIEL DEVLIN, KERAN JAMES
16 November 2018 19:00–22:00
17 November 2018 11:00–19:00
18 November 2018 11:00–19:00
Kühlhaus, Luckenwalder Straße 3, 10963 Berlin
Jay Cloth – in his Polaroids a staged and an impromptu moment meet – both past – reconfigured as ghosts.
Jay Cloth – in seinen Polaroiden treffen sich ein inszenierter und ein improptu Moment – die beiden vergangen – als Gespenster wiederconfiguriert.
Devlin’s work occupies a ‘no-man’s land’ where conversations are exchanged that live on in coffee grounds.
Die Arbeit von Devlin besetzt ein ‘Niemandsland’, wo Gespräche die ein weiteres Leben im Kaffeesatz finden angeknüpft werden.
Keran James reminds us that the present is a fleeting moment between forgetting and misunderstanding – and that editing is death and death, editing.
Keran James erinnert uns, dass die Gegenwart ein flüchtiger Moment zwischen dem Vergessen und dem Missverständnis ist – und dass die Montage ein Tod und das Tod eine Montage ist.
Sluice Exchange is a peripatetic biennial expo which this November brings approximately 20 visiting galleries and projects to Berlin. Sluice, in partnership with Das Institut für Alles Mögliche – both non-profit arts orgs with a focus on supporting the artist & curator-led sector – will stage a three day event for galleries and projects that share similar foundational ideologies of independence and artistic engagement. Each participating Berlin-based and international gallery will combine to present a weekend of exhibitions, performances, talks & screenings. Whilst the UK is in the throes of disengagement from the EU – 2018 is an opportune time for a joint UK/EU initiative to deliver an internationally focused event. The expo ambitiously represents the independent art world by examining how global political developments impact on artists at a local level. The Sluice expo looks past current nationalistic trends to interrogate possible futures. One of the questions Sluice asks is how can we advance emergent discourse via increased interaction on a local, national and international level? This question is intended to reflect our concerns and maybe those of some of the galleries and projects we work with. The Berlin edition of EXCHANGEis broadly themed around the local as transnational ideas battle re-emergent nationalistic tendencies. The artist/curator-led scene is often tied to the local (usually influenced by funding parameters or lack of funding altogether). But there is often an awareness that if the local isn’t positioned within a broader inter/national context that it risks becoming parochial.
EXCHANGE BERLIN focuses on the importance of solidarity, inclusion and collaboration. Is there a way to square internationalism with the destructive nature of globalisation? As nationalism rears its head around the world what response does art have? Sluice connects and promotes artist/curator-run and non-profit galleries and projects – globally. These projects are often isolated by lack of financial resources.
EXCHANGE BERLIN leverages one asset that we do possess – the network and the will to act collaboratively to stage events beyond the capability of each of us individually.
EXCHANGE BERLIN is officially affiliated to the British Council’s UK/Germany 2018 season: “This season of events across Germany will build on the existing friendly knowledge and understanding between our countries. Despite the political uncertainties while the UK negotiates its exit from the European Union, we will celebrate established partnerships whilst forging new ones.”